Noise for Zeros

Breathe The Thing Out 7″
Sympathy for the Record Industry, 1992

Slug was a band that was always pushing the envelope, and therefore was always a couple steps ahead of a huge fanbase. They did manage to get some critical acclaim and a string of records released over their 6-year existence, but those releases, populating used record store bins nationwide, seem to be the only trace remaining of one of the more interesting noise rock groups of the last decade. And to categorize them as noise rock isn’t entirely accurate, since their core sound mutated in so many different directions, so much so that their later records contained long stretches of soothing dub, eerie scratchy tape loops and other sonic experiments far removed from the typical noise rock arsenal. Part of their novelty was the use of 2 bass guitars and loads of unconventional (read: experiemental) instrumentation, including tape loops and multiple drummers. All these elements cook up a sonic stew that sounds something like Crash Worship crashing an Unsane show, or more accurately, like a brutal extension of an earlier forward-thinking L.A. troupe, Savage Republic. One of my favorite Slug releases is this 3-song 45, which captures their early straightforward rock sound, with a loud, dense stomper “Breathe The Thing Out” and the rumbling krautrock trance of “Go Tell” and “Break Neck”.

DOWNLOAD:

Slug – “Breathe The Thing Out”
Slug – “Go Tell”
Slug – “Break Neck”

Tags: experimental, Los Angeles, noise rock, Sympathy for the Record Industry

This entry was posted on Monday, September 28th, 2009 at 12:54 am and is filed under 1990s. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.