{"id":190,"date":"2009-04-09T22:22:22","date_gmt":"2009-04-10T03:22:22","guid":{"rendered":"http:\/\/2.dougkubert.com\/blog\/?p=190"},"modified":"2009-07-25T00:09:23","modified_gmt":"2009-07-25T05:09:23","slug":"babyland","status":"publish","type":"post","link":"http:\/\/2.dougkubert.com\/blog\/?p=190","title":{"rendered":"Babyland"},"content":{"rendered":"<p><em>Who&#8217;s Sorry Now? <\/em>LP<br \/>\nFlipside Records, 1995<\/p>\n<p><img loading=\"lazy\" class=\"alignright\" style=\"margin-top: 2px; margin-bottom: 2px; margin-left: 10px; margin-right: 10px;\" src=\"http:\/\/2.dougkubert.com\/media\/Babyland.jpg\" alt=\"\" width=\"200\" height=\"198\" \/>Back in 1995 when about 85% of the music released on punk labels was <strong>Buzzcocks<\/strong> or <strong>Green Day<\/strong>-inspired pop-punk, <em>Flipside<\/em> magazine&#8217;s record label released a second helping of Babyland&#8217;s electrojunk punk, which promptly ended up in cutout bins by the dozens. It&#8217;s a damn shame too, because what Babyland brought to the turntable was co-opted in the later &#8217;90s by a punk scene that shifted away from the safe confines of pop-punk to the wild possibilities of <strong>Screamers<\/strong> and <strong>Suicide<\/strong>-inspired synthpunk of the later nineties in bands like <strong>Subtonix<\/strong>, <strong>The Vanishing<\/strong>, <strong>Replikants<\/strong>, <strong>ADULT<\/strong>, <strong>Black Ice<\/strong>, <strong>Sixteens<\/strong>,\u00a0<strong>The Lack<\/strong>, and\u00a0the whole Digital Hardcore scene that came to light with the popularity of <strong>Atari Teenage Riot \u2014 <\/strong>not to mention the overall acceptance of synth elements in punk with early 2000s groups like\u00a0<strong>xbxrx<\/strong>, <strong>Lost Sounds<\/strong>, <strong>Digital Leather<\/strong>, <strong>Phantom Limbs<\/strong>, etc.\u00a0<strong><span style=\"font-weight: normal;\">I think a lot of punks\u00a0were wary of Babyland&#8217;s big drumbeats almost sounded like techno, which was justifiably loathed at the time. But digging deeper, Babyland supported those huge beats with a scrappy and abrasive barrage of samples and textures, paring the experimental clang of <\/span><strong>Einst\u00fcrzende Neubauten<\/strong><span style=\"font-weight: normal;\"> with the manic percussive fits of <\/span><strong>Crash Worship<\/strong><span style=\"font-weight: normal;\">. While Babyland&#8217;s later releases\u00a0smoothed the edges into more of an industrial-style punk, and their grating, but excellent debut LP <em>You Suck Crap<\/em> is heavier on the 8-bit bleeps<em>, Who&#8217;s Sorry Now?<\/em> has a full, seductive sound with a darkwave edge that has made it an unsung winner in my book.<\/span><\/strong><\/p>\n<p><strong>DOWNLOAD:<\/strong><\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/media\/Babyland-SlowNewsDay.mp3\">Babyland &#8211; &#8220;Slow News Day<\/a>&#8221;<br \/>\n<a href=\"http:\/\/2.dougkubert.com\/media\/Babyland-Form95B.mp3\">Babyland &#8211; &#8220;Form 95B&#8221;<\/a><br \/>\n<a href=\"http:\/\/2.dougkubert.com\/media\/Babyland-CancerBeat.mp3\">Babyland &#8211; &#8220;Cancer Beat&#8221;<\/a><\/p>\n<p><strong>LINK:<\/strong><\/p>\n<p><a href=\"http:\/\/www.myspace.com\/babylandmusic\">Babyland website<\/a><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Who&#8217;s Sorry Now? LP Flipside Records, 1995 Back in 1995 when about 85% of the music released on punk labels was Buzzcocks or Green Day-inspired pop-punk, Flipside magazine&#8217;s record label released a second helping of Babyland&#8217;s electrojunk punk, which promptly ended up in cutout bins by the dozens. It&#8217;s a damn shame too, because what [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[51,52,49,12,34,50],"_links":{"self":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/190"}],"collection":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=190"}],"version-history":[{"count":18,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/190\/revisions"}],"predecessor-version":[{"id":499,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/190\/revisions\/499"}],"wp:attachment":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=190"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}