{"id":2747,"date":"2021-01-03T19:36:27","date_gmt":"2021-01-04T00:36:27","guid":{"rendered":"http:\/\/2.dougkubert.com\/blog\/?p=2747"},"modified":"2021-01-19T01:15:09","modified_gmt":"2021-01-19T06:15:09","slug":"best-albums-of-2020","status":"publish","type":"post","link":"http:\/\/2.dougkubert.com\/blog\/?p=2747","title":{"rendered":"Best Albums of 2020"},"content":{"rendered":"<p>While I appreciate the critical art of evaluating an entire year&#8217;s worth of albums and honing it down to a list of 10 essential releases that were arguably the most important or noteworthy\u00a0of that year, I didn&#8217;t feel like giving in to that particular convention since 2020 certainly didn&#8217;t follow convention\u00a0(or even civil etiquette) either. Time not seeing live bands, haunting record stores and supporting local venues was instead spent mailordering a shit ton of music and prowling Bandcamp for hours on end finding nuggets of sonic salvation to help push through this most unfortunate of years. So instead of the usual list of my top\u00a010\u00a0albums, here are my top twenty\u2026<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/ADULT-PerceptionIsAsOfDeception.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2700 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/ADULT-PerceptionIsAsOfDeception-300x300.jpg\" alt=\"ADULT - Perception Is As Of Deception\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/ADULT-PerceptionIsAsOfDeception-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/ADULT-PerceptionIsAsOfDeception-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/ADULT-PerceptionIsAsOfDeception.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>ADULT.<\/strong> &#8211; <em>Perceptions Is\/As\/Of Deception\u00a0<\/em>(Dais)<br \/>\nReleased in April 2020, this Detroit duo&#8217;s latest batch of icy electro darkwave couldn&#8217;t have been more\u00a0fitting\u00a0during the early\u00a0weeks of the COVID-19 pandemic. Adam Lee Miller&#8217;s\u00a0unrelenting EBM pulse plodding under Nicola Kuperus&#8217;\u00a0commanding howl\u00a0unwittingly made a fitting soundtrack for the isolation, misinformation, and social unrest that followed its release. Stylistically, this album\u00a0has a more\u00a0weathered aesthetic than their previous albums, as the punchiness of the EBM beat here is less Front 242\/Nitzer Ebb glare and more haunted Clock DVA\/Skinny Puppy creepy crawl, but it&#8217;s still lively\u00a0enough to reveal a prescient and chilling worldview that ADULT. has been bringing into focus since 1998.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=248795706\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/adultmusic.bandcamp.com\/album\/perception-is-as-of-deception\">Perception is\/as\/of Deception by ADULT.<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/AlienNosejob-OnceAgainThePresentBecomesThePast.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2701 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/AlienNosejob-OnceAgainThePresentBecomesThePast-300x300.jpg\" alt=\"Alien Nose Job - Once Again The Present Becomes The Past\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/AlienNosejob-OnceAgainThePresentBecomesThePast-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/AlienNosejob-OnceAgainThePresentBecomesThePast-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/AlienNosejob-OnceAgainThePresentBecomesThePast.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Alien Nose\u00a0Job<\/strong> \u2013 <em>Once Again the Present Becomes the Past<\/em>\u00a0(Iron Lung)<br \/>\nAfter being primed with 2019&#8217;s <em>HC45<\/em> 7&#8243;, Melbourne&#8217;s Jake Robertson came through for the noiseniks with an album&#8217;s worth\u00a0of 1-2-1-2 hardcore punk that smokes through 14 tracks in an exhilarating 24 minutes. As <a title=\"Best Singles\/EPs\/Demos of 2019\" href=\"http:\/\/2.dougkubert.com\/blog\/?p=2545\">mentioned before<\/a>, this version of Alien Nose Job leans more towards the fury of Aussie greats Leather Towel than Robertson&#8217;s more indie\/garage rock\u00a0leanings in The Hierophants and Ausmutants, as the frenzied tempo rarely lets up, coming off like an amped up amalgam of the\u00a0&#8217;80s SoCal hardcore punk scene warped through\u00a0a kaleidoscopic\u00a0barrage of modern day\u00a0satellite beams.\u00a0The only\u00a0respite from the barrage comes\u00a0with a few new-wavish keyboard textures and interludes like &#8220;The Day After&#8221; and, literally, &#8220;Piano Interlude&#8221;, strategically placed to increase the\u00a0impact\u00a0of songs like &#8220;Present Becomes the Past&#8221; and &#8220;Sound of Sirens&#8221;. It&#8217;s a blast from the cold war past that\u00a0swiftly\u00a0negates the common complaint that the creative possibilities of hardcore punk\u00a0are\u00a0limited, as this ripper exists in a deliriously fun and inventive space that makes a 40-year-old style sound fresh and thrilling again.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1392457476\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/ironlungpv.bandcamp.com\/album\/once-again-the-present-becomes-the-past-lp-lungs-155\">Once Again The Present Becomes The Past LP (LUNGS-155) by ALIEN NOSEJOB<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Brandy-TheGiftOfRepetition.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2744 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Brandy-TheGiftOfRepetition-300x300.jpg\" alt=\"Brandy - The Gift Of Repetition\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Brandy-TheGiftOfRepetition-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Brandy-TheGiftOfRepetition-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Brandy-TheGiftOfRepetition.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Brandy<\/strong> \u2013 <em>The Gift of Repetition<\/em>\u00a0(Total Punk)<br \/>\nAfter a solid debut LP and killer 45, this pedigreed noise rock trio from NYC with\u00a0members from bands like Basic Cable, Pampers, Pop. 1280, Running, and\u00a0others delivers an obnoxiously loud and stupendously fun stomp across 8 tracks on their sophomore LP. Saddling\u00a0up to the same weird drinking hole that feeds weirdo noisepunk bands like west coast representatives Lamps and Mayyors, Brandy brings a ruthlessly spartan rhythm section, some buzzing synthesizers, brutal guitar\u00a0bursts and a smirk to hits like &#8220;UFO&#8217;s\u00a02 Heaven&#8221;, an alternate\u00a0recording of &#8220;Clown Pain&#8221; from their Total Punk 45, and the insane album closer &#8220;Insane Screensaver&#8221;, which\u00a0kicks in like a\u00a0skipping\u00a0Feedtime\u00a0record\u00a0to\u00a0deftly deliver the gift of repetition. The biggest difference between this LP and their debut long player is that the vocals are no longer buried and obscured in the mix, so you&#8217;re actually able to decipher\u00a0some of their lyrical gold on <em>The Gift of Repetition.\u00a0<\/em>Plus, the guitar tone\u00a0is a bit\u00a0more focused here. While their debut, <em>Laugh Track<\/em>, is a monster in its own right, <em>The Gift of Repetition<\/em>\u00a0comes off a little less sinister with a bit of dark humor. It&#8217;s more Cows than Brainbombs but a monster nonetheless. Give yourself the gift of <em>The Gift of Repetition.<\/em><\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2005440776\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/totalpunkrecords.bandcamp.com\/album\/the-gift-of-repetition-lp\">The Gift Of Repetition LP by BRANDY<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/ClockOfTime-PestilentPlanet.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-2740\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/ClockOfTime-PestilentPlanet-300x300.jpg\" alt=\"ClockOfTime-PestilentPlanet\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/ClockOfTime-PestilentPlanet-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/ClockOfTime-PestilentPlanet-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/ClockOfTime-PestilentPlanet.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Clock of Time<\/strong> \u2013\u00a0<em>Pestilent Planet<\/em>\u00a0(Static Shock)<br \/>\nThis band featuring Seth Sutton from NFZ faves Useless Eaters, Exit Group, and others, along with Corey Rose Evans from G.L.O.S.S. and members of Di\u00e4t, Berlin&#8217;s Clock of Time delivered their debut LP in the form of a cold wave death rock, pounding and spitting with indignant\u00a0punk disgust at a time when we needed it most. Along with False Brother&#8217;s <em>Uncanny Valley<\/em>\u00a0(see below), <em>Pestilent Planet<\/em> fit the dire mood of 2020.\u00a0In fact, coming out in the spring as the pandemic hit,\u00a0<em>Uncanny Valley<\/em> reflected the new, uncertain times that fell upon us, while <em>Pestilent Planet,<\/em> released in August, seemed to embody\u00a0and capture the weary hopelessness and disgust of humanity&#8217;s lesser qualities as the pandemic wore on. Informed by dark early UK postpunk,\u00a0like those recently given reissue treatment by the Sacred Bones label, bands like 13th Chime, Part One, Vex, and the\u00a0<em>Killed By Deathrock<\/em> compilations, Clock of Time taps into the times with a perfectly crafted dose of\u00a0intensely\u00a0poignant and austere postpunk, amped up with a level of bleakness that&#8217;s wholly their own and absolutely essential.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2038474542\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/staticshockrecords.bandcamp.com\/album\/pestilent-planet\">Pestilent Planet by Clock Of Time<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/TheCoolGreenhouse.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2705 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/TheCoolGreenhouse-300x300.jpg\" alt=\"The Cool Greenhouse\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/TheCoolGreenhouse-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/TheCoolGreenhouse-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/TheCoolGreenhouse.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>The Cool Greenhouse<\/strong> \u2013 <em>The Cool Greenhouse<\/em>\u00a0(Melodic)<br \/>\nWith the passing of Mark E. Smith in 2018 and the subsequent conclusion\u00a0of one of early\u00a0UK punk&#8217;s most prolific and unique voices, there&#8217;s been a void that desperately needed to be filled.\u00a0Despite a number of imitators and\/or groups clearly influenced by The Fall, none of them really even come close or scratch that perennial itch enlightened listeners have for a new Fall album to absorb, savor, and embed within the greasy folds of the reptile brain. And while I imagine Tom Greenhouse, the genius namesake behind The Cool Greenhouse, has long tired of people making that obvious stylistic link, there&#8217;s no mistaking the utterly original and contemporary spin\u00a0he&#8217;s\u00a0brought\u00a0to that style, as\u00a0evidenced by a series of requisite singles, demos, and finally, this, his first album-length collection of songs. The stripped-down, bedroom punk take on Mark E. Smith&#8217;s\u00a0three R&#8217;s of rock n&#8217; roll\u00a0(repetition, repetition, repetition) infused with\u00a0the simultaneously tense but effortlessly cool effect of clashing notes walking hand in hand with clean minor chord guitar strum and junkyard organ blurps, instantly\u00a0snatches the ear and, thankfully, proven to encase those greasy brain folds of the reptile brain in that\u00a0fantastic way that only\u00a0The Fall had been able to do for decades. And while I, as a clueless Yankee bloke, still scratch my head at 98% of what M.E.S. was rambling on about, the dry wit and LOL humor of The Cool Greenhouse comes through loud and clear, taking shots at\u00a0alt.right d-baggery\u00a0with &#8220;Cardboard Man&#8221;, internet trolls with &#8220;4Chan&#8221;, and the mundane absurdity of 21st century life\u00a0by means that are anything but mundane. Here&#8217;s hoping that\u00a0our reptile brains are\u00a0lucky enough to\u00a0be treated to\u00a0decades of The Cool Greenhouse too.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2095838044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/thecoolgreenhouse.bandcamp.com\/album\/the-cool-greenhouse-album\">The Cool Greenhouse (album) by The Cool Greenhouse<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Deerhoof-TeenageFutureCaveArtists.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2702 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Deerhoof-TeenageFutureCaveArtists-300x300.jpg\" alt=\"Deerhoof - Teenage Future Cave Artists\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Deerhoof-TeenageFutureCaveArtists-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Deerhoof-TeenageFutureCaveArtists-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Deerhoof-TeenageFutureCaveArtists.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Deerhoof<\/strong> \u2013 <em>Future Teenage Cave Artists<\/em>\u00a0(Joyful Noise)<br \/>\nI&#8217;ve casually checked in on Deerhoof over the course of their 26 year (!) career, from <em>Holdy Paws<\/em> to <em>Milk Man<\/em> to <em>Friend Opportunity<\/em> and beyond, but for whatever reason I hadn&#8217;t paid them much attention lately. That changed in 2020 when\u00a0<em>Future Teenage Cave Artists<\/em> started getting some heavy\u00a0rotation on the local college radio station, each track\u00a0making my ears perk up\u00a0to wonder which Deerhoof record\u00a0these golden nuggets were coming\u00a0from and whether\u00a0what I was hearing was even Deerhoof, as these tracks stretch into territories as of yet unexplored by them or any other indie rock band for that matter. Nothing on this record is straight-up or lacking the obvious exploratory homework necessary to create\u00a0music so startlingly innovative and fresh. Sure, you&#8217;ll be able to latch on to a few pop hooks and choruses here and there, mangled beyond\u00a0any direct source of inspiration, but those easy, predictable pop structures fall apart and dissolve in ways that keep this from being rote and basic. That&#8217;s not to say that their experimental bent\u00a0\u2014 which admittedly is part of what kept them at arms length for me\u00a0at times\u00a0\u2014\u00a0prevents\u00a0the melodic pull of their skillful songcraft to burrow\u00a0deep into your brain.\u00a0Unlike some &#8220;difficult&#8221; experimental rock records,\u00a0<em>Future Teenage Cave Artists<\/em>\u00a0has that magnetic melodic pull that makes you crave these songs from the first time you hear them\u00a0as well as\u00a0thousands more\u00a0spins\u00a0as you\u00a0discover more and more layers of\u00a0brilliance in\u00a0this exquisitely-crafted labyrinth of chop pop. They&#8217;ve found a sweet spot that&#8217;s avant-garde while also being pretty dang catchy, all without relying on any predictable and tired pop tropes. If\u00a0this isn&#8217;t\u00a0their crowning achievement, so far, this album most certainly is going to be considered a landmark record\u00a0from a landmark group.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2387066049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/deerhoof.bandcamp.com\/album\/future-teenage-cave-artists\">Future Teenage Cave Artists by Deerhoof<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Deradoorian-FindTheSun.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2734 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Deradoorian-FindTheSun-300x300.jpg\" alt=\"Deradoorian - Find The Sun\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Deradoorian-FindTheSun-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Deradoorian-FindTheSun-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Deradoorian-FindTheSun.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Deradoorian<\/strong> \u2013 <em>Find The Sun<\/em> (Anti-)<br \/>\nBy the time the track &#8220;The Illuminator&#8221; hits halfway through Angel Deradoorian&#8217;s\u00a0third\u00a0solo album, you will either be totally on board with\u00a0her\u00a0spiritual\u00a0art rock headtrip or you&#8217;ll be a clueless dolt whose tastes should face some serious introspection, perhaps while\u00a0allowing this soul-seeking triumph to lead the way. Easily one of the coolest sounding songs to emerge in 2020, simultaneously calling back an age of free association\u00a0beat poetry and wild jazz flutes, while also channeling\u00a0some neo freak folk filter and a rock steady 4\/4 beat, it\u00a0served to bring\u00a0much-needed chill vibes and critical contemplation as 2020 continued to spin out of control. Surrounding\u00a0that killer track, Deradoorian also channels some krautrock-style jams\u00a0that evoke Can&#8217;s <em>Tago Mago<\/em> escapades, while other tracks feature her lush\u00a0layered vocal\u00a0harmonies, sounding something like what I imagine\u00a0Stereolab unplugged might sound like or The Breeders covering forlorn Persian love songs. The aching, underlying guitar buzz on the closing track &#8220;Sun&#8221; even hints at the\u00a0dark groove of Black Sabbath&#8217;s quieter songs from their early records (see &#8220;Planet Caravan&#8221; from <em>Paranoid\u00a0<\/em>for example), which perhaps reveals some influence from her time playing the role of Ozzy in a Black Sabbath tribute band, Black Sabbath Cover Band Rehearsal (aka <a href=\"https:\/\/www.discogs.com\/artist\/8089512-BSCBR\">BSCBR<\/a>), featuring members of the Yeah Yeah Yeahs, Uniform, Liturgy, Orthrelm, Krallice and others.\u00a0You&#8217;d be hard pressed to find a better use of 53 minutes of your time. Highly recommended.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3249918549\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/deradoorian.bandcamp.com\/album\/find-the-sun\">Find The Sun by Deradoorian<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/08\/Duma.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2564\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/08\/Duma.jpg\" alt=\"Duma\" width=\"300\" height=\"300\" \/><\/a><\/p>\n<p><strong>Duma<\/strong> \u2013 <em>Duma<\/em>\u00a0(Nyege Nyege Tapes)<br \/>\nIt&#8217;s not often that you hear something that grabs your attention and stops you in your tracks. OK, there are some novel attention-seeking artists who may cause you to pause and pay off the WTF moment they&#8217;re so desperately looking for, but it doesn&#8217;t really hold or deserve your attention more than a few minutes or listens. I&#8217;m talking about something that perks up your ears, defies easy categorization, and continues to baffle and enthrall many listens later. Truthfully I can&#8217;t remember the last time that I experienced that type of enchantment\u00a0by an album, so when I found myself considering the dizzying caterwaul of this Kenyan\u00a0grindcore duo for the first time I took note and\u00a0gushed about my new infatuation <a title=\"Duma\" href=\"http:\/\/2.dougkubert.com\/blog\/?p=2563\">on this very blog<\/a>. While familiarity has softened the shock of the new, this blazing, gnarly debut from Duma still captivates.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740785244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/nyegenyegetapes.bandcamp.com\/album\/duma\">Duma by Duma<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Facs-VoidMoments.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2710 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Facs-VoidMoments-300x300.jpg\" alt=\"Facs - Void Moments\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Facs-VoidMoments-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Facs-VoidMoments-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Facs-VoidMoments.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Facs<\/strong> \u2013 <em>Void Moments<\/em>\u00a0(Trouble In Mind)<br \/>\nThe heads at Trouble In Mind have a real knack for putting out releases by guitar-centric groups that\u00a0breathe new life into the standard instrumentation of rock and roll. For example, 2019&#8217;s <em>Everybody Split<\/em> LP by the Australian group Possible Humans did not appeal to me much on paper, but holy hell, what an awesome, enchanting record that is. One of my favorites of 2019. Same with Mountain Movers, Sunwatchers and a handful of other groups that stand out despite their conventional instrumentation and genre constraints. With Facs, the standard guitar, bass, and drum elements are all there,\u00a0as well as the genre tags and references we&#8217;re all familiar with, but this record is leagues away from\u00a0any idea your mind\u00a0might construct from those flimsy\u00a0clues about what&#8217;s captured on <em>Void Moments<\/em>. Here, on their third album, Facs&#8217; audio alchemy conjures an otherworldly space only hinted at on their earlier records of drifting\u00a0postpunk, with a shimmering guitar tone masterfully crafted in the studio, weaving through\u00a0breathy vocals and staccato hi-hat, creating a space that&#8217;s unlike anything else you&#8217;ll find in the rather dull world of guitar-based indie rock. A\u00a0real headfucker with headphones,\u00a0<em>Void Moments<\/em> demands your attention and will provide many substantial listening sessions. Not to be missed, this\u00a0is Facs best work yet.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1132432212\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/wearefacs.bandcamp.com\/album\/void-moments\">Void Moments by FACS<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/FalseBrother-UncannyValley.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2712 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/FalseBrother-UncannyValley-300x300.jpg\" alt=\"False Brother - Uncanny Valley\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/FalseBrother-UncannyValley-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/FalseBrother-UncannyValley-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/FalseBrother-UncannyValley.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>False Brother<\/strong> \u2013<em> Uncanny Valley<\/em>\u00a0(Iron Lung)<br \/>\nFour years after their\u00a0killer 8-song demo, Kansas City&#8217;s finest postpunk bummer get a proper vinyl release and it doesn&#8217;t disappoint.\u00a0Released\u00a0in April, the\u00a0timing on this chilly fucker seemed prescient, as people continued to shut themselves in quarantine and were\u00a0trying to figure out if things were ever going to be &#8220;normal&#8221; again. Ah, to recall those heady days of thinking that it&#8217;d only be a matter of weeks or months. We all know how things got worse, but\u00a0<em>Uncanny Valley<\/em> stayed true and continued to offer a soothing salve for\u00a0a year we&#8217;d all like to forget.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=802966611\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/ironlungpv.bandcamp.com\/album\/uncanny-valley-lp-lungs-159\">Uncanny Valley LP (LUNGS-159) by FALSE BROTHER<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/11\/Lars-Finberg-Tinnitus-Tonight.png\"><img loading=\"lazy\" class=\"alignnone wp-image-2643 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/11\/Lars-Finberg-Tinnitus-Tonight-300x300.png\" alt=\"Lars Finberg - Tinnitus Tonight\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/11\/Lars-Finberg-Tinnitus-Tonight-300x300.png 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/11\/Lars-Finberg-Tinnitus-Tonight-150x150.png 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/11\/Lars-Finberg-Tinnitus-Tonight.png 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Lars Finberg<\/strong> \u2013 <em>Tinnitus Tonigh<\/em>t (Mt St Mtn)<br \/>\nEven though it&#8217;s a collection of recordings\u00a0dating back to 2018, Lars Finberg ensured that the epic shitshow that was 2020 at least had a\u00a0healthy helping of his sideways surf punk and inverted riffs to help ease the suffering. After last year&#8217;s excellent\u00a0<em>Un-Psychedelic in Peavey City\u00a0<\/em>release by Finberg&#8217;s band The Intelligence, ya gotta be grateful for an album&#8217;s worth of <a title=\"Lars Finberg\" href=\"http:\/\/2.dougkubert.com\/blog\/?p=2622\">garage punk gold<\/a> in a year full of shit.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3614335452\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/larsfinberg.bandcamp.com\/album\/tinnitus-tonight\">Tinnitus Tonight by Lars Finberg<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/NapalmDeath-ThroesOfJoyInTheJawsOfDefeatism.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2719 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/NapalmDeath-ThroesOfJoyInTheJawsOfDefeatism-300x300.jpg\" alt=\"Napalm Death - Throes Of Joy In The Jaws Of Defeatism\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/NapalmDeath-ThroesOfJoyInTheJawsOfDefeatism-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/NapalmDeath-ThroesOfJoyInTheJawsOfDefeatism-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/NapalmDeath-ThroesOfJoyInTheJawsOfDefeatism.jpg 820w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Napalm Death<\/strong> \u2013 <em>Throes of Joy in the Jaws\u00a0of Defeatism<\/em>\u00a0(Century Media)<br \/>\nAs dubious as you may\u00a0feel about a 38-year old\u00a0band\u00a0containing\u00a0zero\u00a0original members\u00a0present at\u00a0the genesis of\u00a0the alienating grindcore genre, you may want to set that doubt aside and take note at what these Birmingham brutes achieved in 2020. Being at the forefront of\u00a0the whole grindcore genre, Napalm Death has proven its mettle time and time again by stretching limitations and drawing from the innovative spirit that belched out their violent, incendiary bursts.\u00a0Whether slowing things down to a trudge, bringing in contemporary blackened metal and hardcore punk influences, un-conventional ideas as followers codified and confined grindcore\u00a0to the limited creative scope the genre\u00a0may seem to have on the surface, ND continues to push\u00a0away from\u00a0those constraints while still delivering with flair some of the fiercest grindcore of the modern day, keeping\u00a0you on your toes with\u00a0thoughtful arrangements that prevent\u00a0it from\u00a0feeling like an exercise in tedium. Songs like the album closer &#8220;A Bellyfull of Salt and Spleen&#8221; noise pound with the fury of early Swans or Missing Foundation,\u00a0while industrial postpunk\u00a0influences like Killing Joke are clearly felt on the pounder &#8220;Amoral&#8221;, capturing the primitive future of their earliest apocalyptic warnings\u00a0in\u00a0a sickly definition that only a\u00a0modern recording studio and production process\u00a0could\u00a0capture.\u00a0The\u00a0<a href=\"https:\/\/open.spotify.com\/album\/4O3oSTv5mauxfXPdMRrayQ?si=bSIbhN5FQa6CQCvc4y4w4w\" target=\"_blank\">bonus tracks version<\/a> pays\u00a0literal tributes to the band&#8217;s influences with inspired covers of one of Sonic Youth&#8217;s\u00a0best tracks ever, &#8220;White Kross&#8221; from their underrated album\u00a0<em>Sister<\/em>, as well as a version of Rudimentary Peni&#8217;s &#8220;Blissful Myth&#8221; which sounds pretty fucking amazing played with the heft of one the metal world&#8217;s heaviest hitters. It&#8217;s a thrilling listen and a bold declaration that this band is far from irrelevant nearly 40 years after it&#8217;s inception, especially in 2020.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Obnox-SavageRaygun.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2720 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Obnox-SavageRaygun-300x300.jpg\" alt=\"Obnox - Savage Raygun\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Obnox-SavageRaygun-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Obnox-SavageRaygun-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Obnox-SavageRaygun.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Obnox<\/strong> \u2013 <em>Savage Raygun<\/em>\u00a0(Ever\/Never)<br \/>\nNot long before Lamont Thomas&#8217; magnum opus <em>Savage Raygun<\/em> came out, I&#8217;d noted how much of a killer track &#8220;Scenicide&#8221; was from his contribution to the <em>Killed by Meth #3<\/em> compilation, as it&#8217;s definitely one of the best on that record, and was thinking I was about due to dig further into the top-shelf Obnox catalog. Then, low and behold, just as one of the first pandemic Bandcamp Fridays occurred, the wise heads at Ever\/Never unleashed this masterwork from one of the garage punk scene&#8217;s most inventive geniuses. From initial\u00a0listens\u00a0streaming on Bandcamp through countless\u00a0spins on the turntable throughout the year, every\u00a0track\u00a0across the four sides of\u00a0<em>Savage Raygun\u00a0<\/em>delivers sonic salvation.\u00a0Including a\u00a0rerecorded version of &#8220;Scenicide&#8221;,\u00a0<em>Savage Raygun<\/em>\u00a0threads together a mix of influences so\u00a0broad that it seems like they couldn&#8217;t possibly hold together and flow as well as they do, but\u00a0somehow Obnox makes\u00a0the journey through Stoogian garage punk through hip-hop, krautrock, and damaged soul music all make sense, adding one of the best chapters\u00a0to a body of work that has no peer. And while you can sample it via Bandcamp and other streaming services, this\u00a0treasure will earn its space in your collection with a beautifully designed gatefold jacket and sleeves\u00a0featuring\u00a0gorgeous illustration by Raeghan the Savage. In a year with very few bright spots, this certainly was one of them.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=989467583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/evernever-records.bandcamp.com\/album\/savage-raygun\">Savage Raygun by Obnox<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OpticSink.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-2725\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OpticSink-300x300.jpg\" alt=\"OpticSink\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OpticSink-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OpticSink-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OpticSink.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Optic Sink<\/strong> \u2013 <em>Optic Sink<\/em>\u00a0(Goner)<br \/>\nThis debut album from Memphis duo Natalie Hoffman\u00a0(Moving Finger, The Nots) and Ben Bauermeister (Girls of the Gravitron, Toxie, Magic Kids)\u00a0hums\u00a0with the primitive buzz of early synth punk pioneers like the Screamers, Nervous Gender, and Suicide, but with a contemporary minimalist tilt that warps and bends electronic waves into something both fascinating and chilling at the same time. Hoffman&#8217;s detached vocal delivery and hypnotic synth work lays down an ominous vibe, while Bauermeister&#8217;s rollicking\u00a0replicant drum machine pulse artificially\u00a0sparks some electrifying inertia into the mix, both players leaving a human\u00a0trace that prevents the 8 tracks from ever feeling robotic or rote.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075848250\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/opticsink.bandcamp.com\/album\/optic-sink\">Optic Sink by Optic Sink<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OranssiPazuzu-MestarinKynsi.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2716 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OranssiPazuzu-MestarinKynsi-300x300.jpg\" alt=\"Oranssi Pazuzu - Mestarin Kynsi\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OranssiPazuzu-MestarinKynsi-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OranssiPazuzu-MestarinKynsi-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OranssiPazuzu-MestarinKynsi.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Oranssi Pazuzu<\/strong> \u2013\u00a0 <em>Mestarin Kynsi <\/em>(Century Media)<br \/>\nNow on their fifth proper album, this Finnish quintet continues to stretch their sound ever outward, well beyond the codified trappings of the\u00a0black metal scene that sprung them into the world circa 2007 and into new directions that exist somewhere in the nexus of psychedelia, space rock, experimental post-rock, and the avant garde. They pretty much defy standard genre constraints; the only tell-tale anchor to heavy metal might be the troll-style black metal vocals and massively sick riffs, but layered with electronics, horns, and whatever other cosmic reverberations these Finns are channeling. No strangers to tranced-out repetition, each track on\u00a0<em>Mestarin Kynsi\u00a0<\/em>goes 7+ minutes into uncharted sonic territory and take the listener on a ride that&#8217;s unlike any other. In fact, of their records this one has required the most spins to fully appreciate. My favorite Oranssi Pazuzu release is still probably 2013&#8217;s\u00a0<em>Valonielu, <\/em>just because it&#8217;s the one that really\u00a0pulled me into their universe, but the continued mystery and detail found within\u00a0<em>Mestarin Kynsi<\/em>, as an admittedly more challenging and unconventional listen, may end up being the new favorite, at least until their next album is released.\u00a0Really looking forward to following this\u00a0band&#8217;s trajectory, wherever it leads.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2418906544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/oranssipazuzu.bandcamp.com\/album\/mestarin-kynsi\">Mestarin kynsi by Oranssi Pazuzu<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OrphansOfDoom-II.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2737 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OrphansOfDoom-II-300x300.jpg\" alt=\"Orphans Of Doom - II\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OrphansOfDoom-II-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OrphansOfDoom-II-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OrphansOfDoom-II.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Orphans of Doom<\/strong> \u2013 <em>II<\/em>\u00a0(The Company)<br \/>\nOn account of their name, you may dismiss these KC heavyweights as one of\u00a0a legion of doom bands\u00a0currently chug-chugging away in the world today. Yes, their music is\u00a0chock full of sludgy riffs and Sabbathian influence,\u00a0but the Orphans of Doom are hardly\u00a0another run-of-the-mill\u00a0metal band.\u00a0Focusing on the more expansive and progressive elements of their Black Sabbath lineage, they keep things interesting with\u00a0Matt Pike-quality\u00a0riffs\u00a0that twist and bend and come at you from a variety of angles,\u00a0with\u00a0a touch of NWOBHM-style melodic leads\u00a0and\u00a0some unexpected\u00a0texture, like the wigged out electronic effects in\u00a0&#8220;The Last of Me (The Captain)&#8221; or the vintage organ hum on &#8220;Fever Dream&#8221;. &#8220;The Ornamentalist&#8221; in particular showcases the\u00a0novel way they morph\u00a0and twist riffs, as the song chugs along about halfway through, methodically contorting into new shapes\u00a0before circling back with a reprise of the original riff.\u00a0Bringing\u00a0the best prog elements and songwriting chops of Mastodon\u00a0with the\u00a0barbaric heft of High on Fire, this, their sophomore album, confirms that\u00a0they&#8217;re one of the\u00a0standout metal bands of 2020.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2525188997\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/orphansofdoom.bandcamp.com\/album\/ii\">II by Orphans Of Doom<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OhSees-ProteanThreat.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-2724\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OhSees-ProteanThreat-300x300.jpg\" alt=\"OhSees-ProteanThreat\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OhSees-ProteanThreat-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OhSees-ProteanThreat-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/OhSees-ProteanThreat.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Osees<\/strong> &#8211; <em>Protean Threat<\/em>\u00a0(Castle\u00a0Face)<br \/>\nI remind myself with some prolific artists like John Dwyer not to get lazy about keeping up with\u00a0their overwhelming deluge of output. I\u00a0got lazy about keeping up with\u00a0Jay Reatard&#8217;s endless stream of releases from his many bands, collaborations and solo projects thinking that the quality would eventually suffer with the quantity, but that\u00a0certainly wasn&#8217;t the case and now I&#8217;d be hella stoked if he were still alive and crankin&#8217; out killer record after killer record. Dwyer and the Osees (n\u00e9e Oh Sees, Thee Oh Sees, O.C.S. etc) had a particularly productive pandemic year with at least 7 releases by my Discogs count\u00a0and of those I heard, this one definitely kept my attention the most. As onboard as I was (and still am, frankly) for sprawling double album psych releases like 2018&#8217;s <em>Smote Reverser<\/em> and 2019&#8217;s <em>Face Stabber<\/em>, <em>Protean Threat<\/em> stands as one of the stronger Osees records in recent memory because it&#8217;s highly focused and covers a lot of sonic ground\u00a0within its shorter songs. Also, Dwyer&#8217;s\u00a0ever-evolving songwriting chops are really flexed here, not only covering some of the righteous psychedelic\u00a0rippers you&#8217;ve come to expect with the latest incarnation of the band\u00a0with songs like &#8220;Gong of Catastrophe&#8221;, but reaching in some new directions like the Doors-style keyboard\u00a0bop of &#8220;If I Had My Way&#8221; or the synth-heavy &#8220;Wing Ruin&#8221; that feels like it could be a lost track from an early release by The Units. In fact, there&#8217;s a bit of a &#8217;70s fusion vibe\u00a0on <em>Protean Threat<\/em> that&#8217;s a welcome addition to the Osees\u00a0ouevre,\u00a0making\u00a0the 13 tracks here a blast to cruise through. And even if you haven&#8217;t been along for the ride lately and crave classic Thee Oh Sees lineup tunes,\u00a0the spazzy staccato pounder &#8220;Dreary Nonsense&#8221; will definitely hit the spot, but in a genetically modified way that keeps it fresh. I don&#8217;t believe in new year&#8217;s resolutions, but I will definitely vow to tune into the Dwyer universe as often as it&#8217;s transmitting in 2021 and beyond.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1511611184\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/ohsees.bandcamp.com\/album\/protean-threat\">Protean Threat by Oh Sees<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/RubberBlanket-OurAlbum.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2721 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/RubberBlanket-OurAlbum-300x300.jpg\" alt=\"Rubber Blanket - Our Album\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/RubberBlanket-OurAlbum-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/RubberBlanket-OurAlbum-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/RubberBlanket-OurAlbum.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Rubber Blanket<\/strong> \u2013 <em>Our Album<\/em>\u00a0(Spacecase)<br \/>\nThe second appearance of Lars Finberg in this list, this time teamed up with members of LA&#8217;s Wounded Lion to create nervy synthpunk with vintage\u00a0gear (+ saxophones!)\u00a0that channels some late-70s\/early 80s Bay Area outfits like The Units and Vector Command,\u00a0LA&#8217;s legendary Screamers, or even the audaciousness of Nebraska&#8217;s Better Beatles. Lyrics bring a layer of fun to the otherwise chilly electro vibe, evident from the get go with a reference to The Vandal&#8217;s &#8220;Anarchy Burger&#8221; in the first track, &#8220;Scented Candle&#8221;, and the conversational rambling of &#8220;My Family&#8221; or the absurdist lecture of &#8220;Owl Vision&#8221; that chalks up the value of art against the Harry Potter franchise\u2026 or something to that effect? All I know is that I&#8217;ve listened to it hundreds of times and it still makes me smile and appreciate <em>Our Album<\/em> even more.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3826923062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/rubberblanket.bandcamp.com\/album\/our-album\">Our Album by Rubber Blanket<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Schonwald-Abstraction.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2704 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Schonwald-Abstraction-300x266.jpg\" alt=\"Schonwald - Abstraction\" width=\"300\" height=\"266\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Schonwald-Abstraction-300x266.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2020\/12\/Schonwald-Abstraction.jpg 599w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Schonwald<\/strong> \u2013 <em>Abstraction<\/em>\u00a0(Manic Depression)<br \/>\nRavenna, Italy&#8217;s dynamic duo of\u00a0Alessandra Gismondi &amp; Luca Bandini delivered their fifth album in 2020, their best yet, which is really saying something after 2017&#8217;s solid <em>Night Idyll\u00a0<\/em>and their previous\u00a0releases of atmospheric, shoegazing coldwave. What they&#8217;ve perfected on <em>Abstraction<\/em> is\u00a0the alluring balance between the ethereal goth glaze of Gismondi&#8217;s haunting vocals with the transcendent spectral shimmer of Bandini&#8217;s guitar play,\u00a0fused together with a danceable but chilly beat, bass throb, synth and effects galore. Their sound instantly washes over you and pulls you into their\u00a0hypnotic trance\u00a0as each element layers into an echoey haze. It&#8217;s a sound distinct enough to\u00a0earn its own genre tag: Shoehaze?\u00a0Coldgaze?\u00a0Postwave?\u00a0Whatever you want to call it, it&#8217;s a spectacular example of the possibility that lies within all those root genres and one of the most breathtaking albums unleashed in 2020.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1190827648\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/schonwald.bandcamp.com\/album\/abstraction\">ABSTRACTION by SCHONWALD<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Stuck-ChangeIsBad.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2722 size-medium\" src=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Stuck-ChangeIsBad-300x300.jpg\" alt=\"Stuck - Change Is Bad\" width=\"300\" height=\"300\" srcset=\"http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Stuck-ChangeIsBad-300x300.jpg 300w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Stuck-ChangeIsBad-150x150.jpg 150w, http:\/\/2.dougkubert.com\/blog\/wp-content\/uploads\/2021\/01\/Stuck-ChangeIsBad.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Stuck<\/strong> \u2013 <em>Change Is Bad<\/em>\u00a0(Born Yesterday)<br \/>\nOne of the\u00a0other nice benefits of\u00a02020&#8217;s Bandcamp Fridays, besides channeling money directly to artists, is that it got a chance to flex its recommendation algorithm a bit more now that people were giving it more attention. Apparently my listening habits generated a recommendation for this Chicago&#8217;s\u00a0quartet&#8217;s debut album and I&#8217;m very grateful for that. Expanding from\u00a0the sonic soil that sprung complex postpunk guitar greats like Drive Like Jehu,\u00a0with\u00a0a\u00a0writhing Polvo-style guitar sound, and perhaps even a bit of Television-style dual guitar and bass interplay, Stuck keep things interesting with sharp songwriting and an earnestness across the 11 tracks of their debut LP that have made\u00a0Stuck\u00a0my new surprise favorite band.<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1729222404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"https:\/\/stuckchi.bandcamp.com\/album\/change-is-bad\">Change Is Bad by Stuck<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>While I appreciate the critical art of evaluating an entire year&#8217;s worth of albums and honing it down to a list of 10 essential releases that were arguably the most important or noteworthy\u00a0of that year, I didn&#8217;t feel like giving in to that particular convention since 2020 certainly didn&#8217;t follow convention\u00a0(or even civil etiquette) either. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[241,7],"tags":[],"_links":{"self":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2747"}],"collection":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2747"}],"version-history":[{"count":22,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2747\/revisions"}],"predecessor-version":[{"id":2861,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2747\/revisions\/2861"}],"wp:attachment":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2747"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}