{"id":820,"date":"2010-05-03T00:12:18","date_gmt":"2010-05-03T05:12:18","guid":{"rendered":"http:\/\/2.dougkubert.com\/blog\/?p=820"},"modified":"2010-05-03T00:15:15","modified_gmt":"2010-05-03T05:15:15","slug":"phantom-tollbooth","status":"publish","type":"post","link":"http:\/\/2.dougkubert.com\/blog\/?p=820","title":{"rendered":"Phantom Tollbooth"},"content":{"rendered":"<p><em><img loading=\"lazy\" class=\"alignright\" style=\"margin-top: 2px; margin-bottom: 2px; margin-left: 10px; margin-right: 10px;\" src=\"http:\/\/2.dougkubert.com\/media\/PhantomTollbooth.jpg\" alt=\"\" width=\"200\" height=\"200\" \/>Phantom Tollbooth<\/em><br \/>\nHomestead Records, 1986<\/p>\n<p>Considering the year, the debut album from New York nutjobs Phantom Tollbooth could be considered an influencial landmark of screamo mathcore \u2014 had anyone heard the fucker. Their back catalog was a mainstay of cutout bins throughout the late eighties and nineties, probably the result of slightly weaker follow-up records and the lack of audience for the sort of selflessly unhinged and intensely cerebral hardcore The Tollbooth was dishing up. You can trace back the explosion of fractured mathy hardcore in the 1990s and early 2000s to this record, as demonstrated with bands like <strong>The Dazzling Killmen<\/strong>, <strong>Last of the Juanitas<\/strong>, and <strong>Brass Knuckles for Tough Guys<\/strong>. With discordant shards of guitar and jazzed-up rhythm section that wouldn&#8217;t find much of an audience until a decade later, this record should be considered a reference point for the evolution of hardcore punk.<\/p>\n<p><strong>DOWNLOAD:<\/strong><\/p>\n<p><strong><a href=\"http:\/\/2.dougkubert.com\/media\/PhantomTollbooth.zip\">Phantom Tollbooth<\/a><\/strong><a href=\"http:\/\/2.dougkubert.com\/media\/PhantomTollbooth.zip\"> &#8211; <\/a><em><a href=\"http:\/\/2.dougkubert.com\/media\/PhantomTollbooth.zip\">Phantom Tollbooth<\/a> <\/em>LP (21.1MB)<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Phantom Tollbooth Homestead Records, 1986 Considering the year, the debut album from New York nutjobs Phantom Tollbooth could be considered an influencial landmark of screamo mathcore \u2014 had anyone heard the fucker. Their back catalog was a mainstay of cutout bins throughout the late eighties and nineties, probably the result of slightly weaker follow-up records [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[133,8,62,90,56],"_links":{"self":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/820"}],"collection":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=820"}],"version-history":[{"count":9,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/820\/revisions"}],"predecessor-version":[{"id":908,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/820\/revisions\/908"}],"wp:attachment":[{"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=820"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/2.dougkubert.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}