Noise for Zeros

This Quiet LP

The debut album by this Austin quartet has been slowly wrapping its tentacles around my DNA since its release earlier this month. At first listen, their influences came in loud and clear, with aggro Hot Snakes riffs and clever Les Savy Fav songwriting prowess backed by a rock-solid Drive Like Jehu rhythm section. Further in, Markov also evokes the better moments of John Reis’ and Rick Frohberg’s pre-Hot Snakes, pre-Drive Like Jehu band Pitchfork, with a more direct attack from the gut that doesn’t get too mired in cerebral approaches to methodically dispensed hardcore aggression. There’s also a nice rambling Barkmarket quality to the delivery of the vocals, with a pinch of mania and a looseness that ebbs and flows with waves of soaring guitar, both pleading and demanding, often at the same time. Beyond these reference points, Markov — named after a famed Russian mathematician — have formulated a uniquely potent mixture of these influences that give them an x-factor that elevates their music well above any dismissive math-rock comparisons their moniker or cover art might suggest. You can stream This Quiet at the link below, but I recommend picking up a digital copy (only $5) in order to fully understand the intricacies and charm of this band.

LINKS

Buy digital album at Bandcamp
Markov on MySpace

Phantom Tollbooth
Homestead Records, 1986

Considering the year, the debut album from New York nutjobs Phantom Tollbooth could be considered an influencial landmark of screamo mathcore — had anyone heard the fucker. Their back catalog was a mainstay of cutout bins throughout the late eighties and nineties, probably the result of slightly weaker follow-up records and the lack of audience for the sort of selflessly unhinged and intensely cerebral hardcore The Tollbooth was dishing up. You can trace back the explosion of fractured mathy hardcore in the 1990s and early 2000s to this record, as demonstrated with bands like The Dazzling Killmen, Last of the Juanitas, and Brass Knuckles for Tough Guys. With discordant shards of guitar and jazzed-up rhythm section that wouldn’t find much of an audience until a decade later, this record should be considered a reference point for the evolution of hardcore punk.

DOWNLOAD:

Phantom Tollbooth - Phantom Tollbooth LP (21.1MB)

Rent A Rocket 7″
Art Monk Construction, 1996

It’s shocking how little attention I pay to singing. Most people hear a song and seem to only hear the words, but I only catch fragments of verse and I usually hear ‘em wrong anyway. Truth is, I’d just as soon have the vocals buried deep in the mix since there are bands I can’t listen to because I can’t get past an annoying vocalist or insipid lyrics. And more often than not, these overmixed crappy vocal tracks diminish the power of the music. The Trans Megetti’s Mark Tesi, however, has some of the best sing-shout punk vocals you’ll hear anywhere. They’re forceful but not overbearing, and they perfectly fit the band’s razor sharp power punk. Mix Hot Snakes’ punchy guitar work with Gray Matter vocalist Geoff Turner’s unwavering wail, and you’ll get a sense of where this New Jersey powerhouse is coming from. They released a couple solid albums after this 7″ on the Art Monk and Gern Blandsten labels, but this raging debut record is easily my favorite.

DOWNLOAD:

The Trans Megetti - “Rent A Rocket”
The Trans Megetti - “Mercitron”
The Trans Megetti - “Yes, I Can Read”