Noise for Zeros

Madhouse EP, 1985
Fountain of Youth Records

Picked up this gem solely based on the label and was pleasantly surprised to find a Siouxsie & The Banshees-influenced take on early Revolution Summer-style DC postpunk. While the cover art looks totally aggro and the Fountain of Youth label was best known for releasing a slew of Government Issue records, this anomaly takes a chilly, almost gothic path into female-male harmonizing, sounding like X if they were from suburban DC instead of LA. Lead singer Monica Richards was a staple of the early DC hardcore scene as a member of Hate from Ignorance and was part of the first wave of HC kids disenfranchised by the codification of hardcore, spurring the Revolution Summer of 1985. Madhouse could be considered part of this Revolution, ushering in the bouncing, melodic mid-tempo sound popularized by groups like Soulside, Ignition, Rites of Spring and Embrace. Check out this solid EP (and their sole 7″) they released before fading into obscurity.

DOWNLOAD

Madhouse – Madhouse EP (31.5mb ZIP file)

LINKS

Madhouse’s Mecca 7″ at Return to the East

Peace Love and Alienation LP
Fixed Identity, 2012

It never ceases to amaze just how many buried gems are still out there. For example, check out this Worcester, MA postpunk psych romp from the early ’80s, reissued on Gary War and Taylor Richardson‘s Fixed Identity label. It’s a perfect infusion of Nuggets-style garage psych into the scrappy sound of early postpunk alá Swell Maps, The Urinals, The Homosexuals, etc. With small traces of ’80s collegiate guitar chime, The Prefabs assembled a timeless, killer sound that’s on par with the best sounds from any era. Why they haven’t been name-dropped incessantly over the last 30 years is a mystery.

The Prefab Messiahs - Beyond All That Play Now

The Prefab Messiahs - Desperately Happy Play Now

Deprogrammer LP
Mystic Records, 1982

Here’s a classic example of a totally underrated record that’s quietly slipped into the abyss of dollar bins and cheap-ass used vinyl stacks without nearly enough respect. True, it’s hard to get excited about mid-paced hard rock-style punk — there’s nothing particularly outstanding or novel about it — but goddamn, you will not find many records that can soulfully stomp along as solidly as this one does. I nabbed it for a dime at a college radio vinyl selloff (thank you KRUI) on account of it being a Mystic Records release, expecting some inept Z-grade hardcore bashing, ala labelmates RKL, Dr. Know, Ill Repute, etc., but this record is a million miles from Nardcore or the mega compilations put out on the label. Initially I was disappointed by it’s relatively mellow demeanor, but after years of sporadic spins it’s slowly worked its way into my tinnitus-wrecked skull. Style-wise it fits somewhere between the Dead Boys and Joy Division. It’s moody without being too gloomy and has enough snarl to elevate it above the typical hard rock drivel.

DOWNLOAD

Deprogrammer – Deprogrammer LP (37.3mb ZIP file)

LINKS

Download Deprogrammer’s s/t 7′ at KBD Records
Deprogrammer post at Punk Business Manager blog
Deprogrammer post at Glorify the Turd blog

This LP
Big Money Inc., 1989

At the end of February, before winter finally loosens its icy grip and dreary grey days stack up so high that you can’t remember what the warmth of the sun feels like, the debut from this Minneapolis trio starts to sound pretty fuckin’ good. It sounds great any time of year, but the roughneck minor chord guitar and punchy rhythm section acknowledges that feeling of winter dread while also offering a glimmer of determined hope through sheer tough will. That and they’re from a city where subzero temperatures are obscenely common, so the association with coldness and winter is somewhat fitting. This record from Tiltawhirl (which became Arcwelder after the amusement park company that created the Tiltawhirl ride slapped the band with a cease and desist order) shows the band in a less rigid and polished form, full of mopey collegiate guitar rock that’s just noisy enough to distinguish itself from the legions of bands covering similar territory in that era. Just check out the gloomy bumout of “Blue” and the Killing Joke-esque punch of “It Won’t Change” as examples.

DOWNLOAD:

Tiltawhirl (Arcwelder) – “Blue”
Tiltawhirl (Arcwelder) – “Arcwelder”
Tiltawhirl (Arcwelder) – “It Won’t Change”

LINKS:

The Arcwelder Home Page
Arcwelder on MySpace

Complete Discography CD
Sacred Bones Records, 2010

One of the amazing things about music fandom is that no matter how far you explore a music genre there’s always a hidden gem that comes out of nowhere and instantly gives you a fresh perspective on a scene that you thought you knew so well. Granted, you always pay your dues snatching up lesser records that don’t quite have the magic of albums that pull you into a scene, satisfied to just find something that approaches the greatness of landmark records in your collection. But every once and a while a band will come along and make you wonder how the fuck you’d never heard of ‘em. Such is the case of UK postpunk band 13th Chime who apparently had a bit of success during the early 1980s, touring with groups like The Addicts, The Meteors, Spear of Destiny, and The Enid, getting some airplay from John Peel, and releasing a few solid 7-inches and recording an unreleased LP. The quality level of 13th Chime’s recorded output exceeds many of their peers, with a gnashing style of darkwave postpunk that exists somewhere between the pounding throb of Killing Joke and the stark histrionics of Christian Death, tempered with the synthetic whine of Siouxsie, Tubeway Army, and Bauhaus. Yet those are just reference points, as 13th Chime had a harrowing sound that was distinctly their own. Huge props to Sacred Bones for bringing their unreleased LP to light decades later and packaging it up with their solid singles collection, demanding that this unheard band get its due.

LINKS

Buy 13th Chime at Sacred Bones Records
13th Chime on MySpace

Phantom Tollbooth
Homestead Records, 1986

Considering the year, the debut album from New York nutjobs Phantom Tollbooth could be considered an influencial landmark of screamo mathcore — had anyone heard the fucker. Their back catalog was a mainstay of cutout bins throughout the late eighties and nineties, probably the result of slightly weaker follow-up records and the lack of audience for the sort of selflessly unhinged and intensely cerebral hardcore The Tollbooth was dishing up. You can trace back the explosion of fractured mathy hardcore in the 1990s and early 2000s to this record, as demonstrated with bands like The Dazzling Killmen, Last of the Juanitas, and Brass Knuckles for Tough Guys. With discordant shards of guitar and jazzed-up rhythm section that wouldn’t find much of an audience until a decade later, this record should be considered a reference point for the evolution of hardcore punk.

DOWNLOAD:

Phantom Tollbooth – Phantom Tollbooth LP (21.1MB)

Jumping Out The World / Instinct / Teach Death A Lesson CD
Alternative Tentacles, 1991

When you think of Jello Biafra, his antagonistic spoken word tirades and cult status as the brain behind the Dead Kennedys are the first thing to come to mind. However, it should also be noted that the man is a fanatically obsessed and rabid collector of music. I once witnessed him tear through the beloved stacks of wax at Love Garden Sounds with the deftness of a librarian on crank, nabbing an armful of choice selections all while bullshitting with the starstruck locals. And if you’ve ever read the second volume of the fantastic RE/Search Incredibly Strange Music books, you’d know exactly how hardcore a vinyl hound he is. So it should come as no surprise that this area of expertise has resulted in some of the more interesting documents of “punk” music from his Alternative Tentacles label, resulting in absolute classics from the Butthole Surfers, Flipper, The Crucifucks, Alice Donut, Victim’s Family, Phantom Limbs, and many more. Yet among all those well-known groups lurk some overlooked monsters. I found this CD reissue of this Hungarian band’s 1988 and 1990 LPs for a measly dollar in a cutout bin years ago and it’s easily one of my favorite records from the entire AT catalog. With over an hour of wild, tranced-out heavy psych glazed with shamanistic howls echoing at High Rise/Mainliner levels in the blissed out format of krautrock disciples like Wooden Shjips, this disc continues to get better—and weirder—with age. Although the Neurot label had the good sense to put out Dancing with the Sun in 2000, these early records have yet to garner the praise they deserve and have remained out of print for quite some time.

DOWNLOAD:
Galloping Coroners – Jumping Out The World+ CD (94.1MB Zip file)

LINKS:
Galloping Coroners website
Galloping Coroners on MySpace
Galloping Coroners page at Neurot Recordings

My Pal / Jackwoman Nunhammer 7″
Au Go Go Records, 1987

While this late-80s Aussie band doesn’t quite live up to their cheeky moniker, God did manage to have a few decent tracks spread across an album and a couple singles that made their way into the import bins of fine record stores worldwide. The A-side is fairly unremarkable proto-grunge, along the lines of weaker tracks by peers like Green River, The Fluid or early Screaming Trees, but the B-side has some of the best Stooges-worship you’ll ever hear, with detached-cool vocals and a searing riff as massive as Ayers Rock. Along with other Aussie bands under-appreciated in these United States, like the Celibate Rifles or Grong Grong, God deserves at least little respect, if not outright worship.

DOWNLOAD

God – “My Pal”
God – “Jackwoman Nunhammer”

Brazilian Post-Punk 1982-1988
Man Recordings, 2005

This excellent compilation came out a few years back when Brazilian rock was hot stuff in the indie world, as evidenced by the resurrection of legendary rockers Mercenarias and Os Mutantes, and top-notch collections from the Soul-Jazz label like Tropicalia: A Brazilian Revoluton in Sound and The Sexual Life of the Savages: Underground Post-Punk from Sao Paula Brasil. While the tracks on this CD definitely feel dated with synths galore and vocal styles clearly inspired by their UK counterparts (Joy Division, The Cure, Killing Joke, Public Image Limited, etc) you can also hear an era when the possibilities were wide open and passionate bands weren’t afraid to take new ideas a run with ‘em. There’s a freshness and originality captured here that breathes new life into what your ideas of what “post-punk” and “new wave” sound like. There’s a real charm in these bands and period of time, where synthesizers are treated like something new to experiment with and not as an ironic, empty gesture. Check out the Killing Joke-style percussive drive in Musak’s “Ilha Urbana” or the hypercool atmosphere of Chance that’s something like Tangerine Dream covering Suicide, or the intensity of Vzyodaq Moe‘s Tragic Figures-era Savage Republic sound. It’s one of the best comps to come out in the last 5 years, and if you like what you find here, you can find more on the also great Soul-Jazz comp mentioned above, with plenty more choice cuts and only a couple duplicate songs.

DOWNLOAD:

Muzak – “Ilha Urbana”
Chance – “Samba Do Morro”
Vzydaq Moe – “Redencão”

LINKS:

More info at the Man Recordings website
Buy CD at Forced Exposure

Loser / Cooking With Gas 7″
Sub-Pop, 1989

Talking with a friend this weekend, we recalled a time when the term “grunge” didn’t conjure up images of ridiculous designer flannel and lame ’90s-style hard rock, before the gnarlier aspects of the term were sanitized and rationalized for mass consumption. For us, Seattle’s Tad embodied what grunge was really about: loud, burly, heavy dirtpunk for weirdos — in short, ugly music for ugly people. Long before every mall in America was teeming with teenagers sporting Doc Martens and flannel shirts, flipping their locks and blathering about Pearl Jam, Tad was punishing eardrums with gut-rumbling dirges that mainlined the colossal buzz of the Melvins and late-period Black Flag (they released a single featuring covers of Flag’s “Damaged I” and “Damaged II”) into a backwoods freakshow that made grunge scary. Their God’s Balls and Salt Lick 12-inchers are essential noise rock classics and this, one of many classic Tad singles on Sub-Pop, showcases the true grit of grunge.

DOWNLOAD:

Tad – “Loser”
Tad – “Cooking With Gas”